Completely absorbing BBC documentary on the history of Ceramics in the UK – enjoy!
Only a few days remaining to visit a solo exhibition by Mashiko ceramic artist Shikamaru Takeshita (10/19-10/27) at Savior Vivre Gallery in Roppongi, Tokyo. Shikamaru-san is one of the artists I met through the Mashiko Volunteer Center back in May, and I’ve visited him twice since then to help out with the rebuilding of his kiln and interview him for the panel I’ll be on titled “Life on the Edge – Mashiko Rebuilds” at the 2012 National Council on Education for the Ceramic Arts (NCECA) conference in Seattle, along with fellow artists / educators Ayumi Horie, John Baymore, and Lynn Zetzman.
When I last saw Shikamaru-san in September he was busily working at a friend’s studio – due to a shortage of time and various delays, the rebuilding of his anagama was not to be completed on schedule for this, his first solo exhibition since the earthquake disaster. Despite the potential disappointment of such a setback, Shikamaru-san was energetic and excited about making work in clay again, and the exhibition is a rare show of glazed and gas-fired work.
For more information (in Japanese)
On the trip to see the Mino exhibition with Kanazawa College of Art, we stopped in at the Sakazuki (Sake Cup) Museum and gallery. Seiko Wakasugi is a previous prize-winner at Mino, and I have enjoyed her work since first encountering it on the Utsuwa Note blog. Her delicate and beautiful forms reference geometry and nature, and are slip-cast in a translucent bone-china porcelain, which she then gently hand finishes – softening the lips and carving the feet – before firing unglazed to vitrification. In her bio on Bottega Veneta, she likens their sinewy and sensual curves to the crisp lines of Nihonga (Japanese painting)
A small sake cup, like the one in the image below, came home with me.
image via: http://utsuwanote.exblog.jp/14070673/